Each description is formatted similarly to a tech review you would see online and at the end, we summarize our findings in a chart. Apart from using ambisonic recordings, we attempted to sharpen the effect of audio-visual synchrony by connecting sounds to movements in post-production, but this proved to be difficult using only two-dimensional motion tracking software.Īlthough we did not have time to return to our spatial audio prototype with 3D data, below we describe the results of having played with five different hardware and software options for motion capture. With Oscillations’ connection to the movement arts, it made sense to experiment with existing motion capture technology to find accurate, consistent, and scalable ways to obtain three-dimensional motion data for purposes such as animation or machine learning to augment performances in virtual reality.Īn additional motivation to learn more about motion capture was connected to our early experiments with spatial audio (read more about them in our spatial audio blog post).

Ipi mocap studio 2.0